Henrik Lund Jørgensen employs photography and video
to investigate notions og time, space, and memory, while
reflecting on cultural and social forms of representation.
Conceived as a collage of images, texts and sounds unfol-
ding layer upon layer, his video work subly staddles and
uncertain boundaries between reality and fiction.
Combining found images from different sources with
newly filmed material, Jørgensen fabricates a subjective
version of events suffused with ambigity thus inviting a
range of possible interpretations.